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Double Trouble - limited edition print
Double Trouble - limited edition print
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$530.00 USD
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The Premier and Collector’s editions are shipped FREE* and UNSTRETCHED. Stretching is available at an additional charge. Please contact us for pricing: 800-850-1776 or info@mortkunstler.com.
Custom framing is available for this print. Please call 800-850-1776 or email info@mortkunstler.com for more information.
LIMITED EDITION PRINTS
Giclée Canvas Prints
Reproduction technique: Giclées are printed with the finest archival pigmented inks on canvas.
Each print is numbered and signed by the artist and accompanied by a Certificate of Authenticity.
Signature Edition Size: 19” x 21”
Signed & Numbered • Edition Size: 100
Signed Artist’s Proof • Edition Size: 10
Classic Edition Size: 26” x 29”
Signed & Numbered • Edition Size: 50
Signed Artist’s Proof • Edition Size: 10
Premier Edition Size: 32” x 36”
Signed & Numbered • Edition Size: 15
Signed Artist’s Proof • Edition Size: 5
Collector’s Edition Size: 37” x 41”
Signed & Numbered • Edition Size: 5
Signed Artist’s Proof • Edition Size: 2
About this Painting
This painting was done in 1955 for Magazine Management. It appeared on the cover of the February 1956 issue of Adventure magazine for the story Double Trouble, The Giant Manta Ray.
The Era of Men’s Adventure
Beginning in the 1950s, Mort’s illustrations were sought after by art directors of the leading magazines. His captivating and sometimes provocative images were featured on the covers of Stag, For Men Only, True Adventures, Male and True Action magazines. Magazine Management, the publisher of these magazines, asked Mort to use pseudonyms because he was doing so much work for them. Two of the pseudonyms he used were Martin Kay and Emmett Kaye – a play on his initials “MK”. These illustrations have become emblematic of the pop culture of that era.
From Men’s Adventure Magazines in Postwar America
(Max Allan Collins and George Hagenauer, Taschen GMBH, 2004, p. 500)
“Künstler was at the top of the game in the genre, putting incredible detail and accurate descriptions of uniforms, weapons, and settings into his paintings, even when illustrating the likes of “The G.I. Who Raided Saigon Sally’s Sin Barracks.”
“His art has appeared in major magazines, such as National Geographic, The Saturday Evening Post, and Newsweek, and his commercial oeuvre also includes film posters and advertising work. He is now considered to be one of the premiere fine artists in the U.S painting historical objects.”
View full details
* Free shipping within the Continental United States.
Custom framing is available for this print. Please call 800-850-1776 or email info@mortkunstler.com for more information.
LIMITED EDITION PRINTS
Giclée Canvas Prints
Reproduction technique: Giclées are printed with the finest archival pigmented inks on canvas.
Each print is numbered and signed by the artist and accompanied by a Certificate of Authenticity.
Signature Edition Size: 19” x 21”
Signed & Numbered • Edition Size: 100
Signed Artist’s Proof • Edition Size: 10
Classic Edition Size: 26” x 29”
Signed & Numbered • Edition Size: 50
Signed Artist’s Proof • Edition Size: 10
Premier Edition Size: 32” x 36”
Signed & Numbered • Edition Size: 15
Signed Artist’s Proof • Edition Size: 5
Collector’s Edition Size: 37” x 41”
Signed & Numbered • Edition Size: 5
Signed Artist’s Proof • Edition Size: 2
About this Painting
This painting was done in 1955 for Magazine Management. It appeared on the cover of the February 1956 issue of Adventure magazine for the story Double Trouble, The Giant Manta Ray.
The Era of Men’s Adventure
Beginning in the 1950s, Mort’s illustrations were sought after by art directors of the leading magazines. His captivating and sometimes provocative images were featured on the covers of Stag, For Men Only, True Adventures, Male and True Action magazines. Magazine Management, the publisher of these magazines, asked Mort to use pseudonyms because he was doing so much work for them. Two of the pseudonyms he used were Martin Kay and Emmett Kaye – a play on his initials “MK”. These illustrations have become emblematic of the pop culture of that era.
From Men’s Adventure Magazines in Postwar America
(Max Allan Collins and George Hagenauer, Taschen GMBH, 2004, p. 500)
“Künstler was at the top of the game in the genre, putting incredible detail and accurate descriptions of uniforms, weapons, and settings into his paintings, even when illustrating the likes of “The G.I. Who Raided Saigon Sally’s Sin Barracks.”
“His art has appeared in major magazines, such as National Geographic, The Saturday Evening Post, and Newsweek, and his commercial oeuvre also includes film posters and advertising work. He is now considered to be one of the premiere fine artists in the U.S painting historical objects.”
The Norman Rockwell Museum in Stockbridge, Massachusetts opened a major retrospective exhibit of Künstler’s art in November 2014, including many of his original movie poster art. Mort Künstler: The Art of Adventure, had over 80 pieces from early childhood through his most recent works. This traveling exhibit went to the Museum of the Shenandoah Valley in Winchester, Virginia, the Citadelle Art Foundation in Canadian, Texas, and the Long Island Museum in Stony Brook, New York.
Buy the book: Mort Künstler: “The Godfather” of Pulp Fiction
